
Inner bicep
Upper arm — inner
The most room. At this scale the watch face actually reads — hands and all. Lives under a sleeve, shows up in a tee.
Personal — Tattoo study 001
The design is done — 156 in a clean, even line, a mechanical watch hidden in the six. The number counts; the watch is the handmade thing I carry against a life of automation. What’s left is the hard part — deciding where it lives.
The mark / 001
It reads as a number at a glance. Sit with it and a second image surfaces — the same trick the SHAUGHV mark plays with its glasses and mustache. Two things I carry, drawn as one. Move through the layers.

Hover or tap a layer / the mark responds
Two handmade things on the arm of someone who automates for a living — a number that counts, and a movement wound by hand. Drawn as one clean, even line, because that felt like the only honest way to carry them.
Placements / 002
Same line, three homes — each trades something. Set what matters most and the order re-sorts. Commit a lean when one pulls ahead.

Upper arm — inner
The most room. At this scale the watch face actually reads — hands and all. Lives under a sleeve, shows up in a tee.

Above the knee
Private by default — only shows in shorts. The easiest sit of the three. Mid-size keeps the line clean, but the watch detail softens at a glance.

Lower arm — near the wrist
Always in view — I'd see it every day, and so would everyone else. Smallest canvas, so the design simplifies to its bones. Sits right where my watch already is. Time, twice.
Specs / 003
All assets are the final, artist-ready line work. The decision is the only thing left open.
